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Movie Reviews

The Horror in our Humanity – An analytical review of ‘GOAT’

September 29, 2016 by Jeff T. Smith No Comments
James Franco & Nick Jonas in "Goat"

[Readers, I recommend that you see the film first to avoid spoilers contained in the following article but it is up to you as this analysis is meant to raise questions and perspective to your viewing experience.]

Gestalt psychology was based around set patterns and the perception of these patterns. It was how the viewer perceived that specific pattern that could give insight to their inner conflicts. Goat made its limited theatrical release back on September 23rd and is currently available on iTunes. The film deals with the repercussions of individuals who fall into a set pattern. The pattern here is the controversial ordeal of “hazing.” A long time tradition found on campus grounds where a Fraternity would rush junior pledges through a series of obstacles all so they could get a chance to join that Frat house a.k.a. Brotherhood. The depth of the rush week tradition, and the series of events that occur, are much harsher than a simple prank all in the name of good fun.

Not meant to be fun

Goat, directed by Andrew Neel, written by David Gordon Green, Andrew Neel and Mike Roberts, based off of the memoir book by Brad Land and produced by James Franco, is exactly the trip through the deep, dark and horrific depths of that life. There is no fun to be had while viewing this film and nor is it meant to be. The movie opens with a distorting and eerie shot showing a group of frat boys, in a semi-circle, yelling and looking down towards something or someone off-camera though we do not see exactly what they are directing their attention to. The speed is slow and the sounds are ruffled, with only the tense atmospheric music by Arjan Miranda to tell the audience that they are going to embark on a serious ride through something beyond rationale comprehension. This shot is very important to the overall story arc that will come into play much later though this specific scene will not.

The viewer is introduced to Brad (Ben Schnetzer, Warcraft: The Beginning and Pride) who is getting a glimpse at frat house life by attending a party by Phi Sigma Mau; a fraternity currently co-headed by his older brother Brett (Nick Jonas, Scream Queens and Careful What You Wish For).  The spectacle of the party and the exhibitions by intoxicated college girls seem too good to be true, and Brad is shown to be reserved and respectful; his soul pure and will not engage in the harder side of the party ala drugs.  Brad leaves the party alone, since Brett decided to stay at the house in favor of hooking up with one of the intoxicated girls, and offers aid to two guys who need a ride.  Brad’s innocence puts him into jeopardy here when the two guys lure him onto a dark, country road and proceed to bludgeon him; robbing him of not just his belongings but his very being.  

Check out my review of the season 2 premier of Scream Queens

This introduction is central to establishing the fracture that weakens Brad’s own psyche. The audience is cleverly let into this character’s state through the visual of a selfie Brad has taken with his face badly beaten and bruised but with the cracks of the cell phone screen over top of him. The cracks stand not just in the literal but the figurative sense and we will see when he updates a picture later on how this changes.

Brad decides that he will join Brett and the other Fraternity members that following school year. We are introduced to Fraternity head Chance (Gus Halper, Power) who genuinely welcomes Brad to partake in the activities. While Brett is happy to see his brother pursuing the path to the frat house, he also has reservations that perhaps Brad won’t be able to handle it especially having gone through a traumatic experience. We are also briefly introduced to Will (Danny Flaherty, The Americans and Skins (2011)) as Brad’s roommate who instantly wants to join the fraternity as his chance at social acceptance. Will is the archetype for the average student who is not the most popular but will push himself and risk his own personal wellbeing for that opportunity to just be normal. Could be considered that Will is another depiction of Brad’s conscience and what might have been if not for his fortunate genes, guidance of his older brother, and his own haunting experience.

(Continue article after the video)

Hell Week for the Goat

Before “Hell Week” commences, which is the one initial week where all pledges (nicknamed “Goats”) will be tasked by the fraternity, there is a very important scene where Chance sits with Brett and Brad in a private study, complete with Cuban cigars. Where the audience was first lead to believe Chance is going to be the antagonist of the story, we see that he is actually rejected by his own Father and relies on the acceptance of his frat brothers and that lifestyle. The filmmakers here have not only created sympathy for the lead character, but also a secondary character that one would easily have otherwise being stereotyped.

Former Fraternity leader, and now alumni of 15 years, Mitch (James Franco, 127 Hours and The Spider-Man Trilogy) arrives on the scene to check out the house and is instantly welcomed by the current class.  Mitch’s involvement in the film, however minimal, plays one of the most significant symbolic roles.  We learn that he is married with a wife and children who are waiting for him back home after his visit.  What began as a simple stop eventually led to Mitch sticking around for a house party complete with the booze and raucous antics.  He meets Brad and engages in a psycho-therapeutic exchange of slaps and punches.  This releases something within Brad while satisfying Mitch.  Mitch is a man who seems to have gone to have a successful career yet comes back and cannot resist the temptation of overindulging in alcohol, reliving his youth, and reliving the violent tendencies that had once existed. It’s his fixation to still feel wanted, despite having a family who loves him back home, that brings him back. This is the damage caused by joining the Fraternity in the first place but the viewer does not yet know exactly what Mitch represents. Mitch is similar to a soldier reliving war time because he cannot escape it no matter how recognized a veteran he may be.

Goat Movie Hell Week

Hell Week for the Goat

Duality plays a major role in the film as each character deals with internal conflict. The hazing begins on the goats, and when it does, Chance is no longer the empathetic being we saw him as, but rather a leader and instigator of torture. Even Brett lives up the ritual and joins his frat brothers in the antics.  The audience is lured into this mistreatment much the same way Brad and Will are, and the film asks whether or not we are ready to experience the hell week just as the characters do. As the goats are lined up, a senior frat member Dixon (Jake Picking, Dirty Grandpa) serves as the drill sergeant. During the initiation, he makes a point to tell the goats that he does not want to see them as individuals but as one unit combined together. This line dialogue is key to the allusion of the fear and eventual long-term damage to the mind.  

In many ways, the parallels between the military soldiers and the fraternity members are brought forward all throughout the movie. Once Brett begins to see the disturbing effects and grotesque displays of testosterone fueled bullying, he questions the value and what drives one to want to be part of this society.  We get a scene where Dixon goes to Brett and when questioned, he basically tells Brett that because they went through it, they have to put the new pledges through that or worse. Once again, the audience sees the duality as the terrifying sergeant Dixon has let his guard down for one moment to show that he is still dealing with his own initiation from years past.

Unfortunately for Will…

Goat engulfs the viewer into the underground pledge world, wisely set in the underground for that matter, when the fraternity takes the pledges into the basement. This sequence depicts one of the most horrific elements of the film, where the pledges are brutalized by gang-violence and forced intoxication. It might be fun, however disturbing for the audience to see the crimes committed in a Rob Zombie film such as The Devil’s Rejects, but these are not backwoods maniacs out for slaughter – these are all kids, getting an education, and engaging in dark acts. On the bright side, drinking heavily and partying seems to be the perfect way to kick back and let loose, but now the same bottles are used as weapons; not the bottles themselves but the liquid inside. Constantly bombarded with various drinks while doing challenge after challenge, it makes the audience put their own drink down and think to themselves about the hurtful reality and poison that can be put into their systems. Unfortunately for Will, he throws up after one too many, and is penalized and put into a cage. The events that immediately follow this are disgusting. Trapped in the cage like an animal, the fraternity boys then gather around and urinate on him, beating the cage, pouring alcohol and other food and whatnot substances down onto the trapped student. This degradation rapes Will of any dignity he once had. He is not penetrated in a sexual way, but in an emotional and psychiatric context for which one cannot recover from. No matter how strong one may be, the thought of being on the receiving end of that treatment: dazed, confused, intoxicated, vying for acceptance – all these things remain in the regions of the brain. Will woke the next morning with his fellow pledges, cleans himself off, and goes about the day but the stress it took, and subsequent actions by the fraternity, leads to a deadly result.

Brad constantly questions his own strength and manhood, even to his brother, as to why he did not fight back during the assault, and enduring this treatment of exercises is his way of overcoming those doubts.  He needs to be there just like the current frat boys because to him, he has lost everything.  Much in the same way Mitch had become co-dependent on the addiction of receiving violent treatment as a way of bonding; Brad also goes about punching his fellow pledges when asked. Brett realizes the danger that Brad has gotten himself into; not only has this caused tension between two brothers, but tension among the fraternity.

After a tragic situation where in the fraternity is jeopardized, Brett is able to make the conscious decision to do the right thing. Remember, it was Brett who chose to go back to the party rather than accompany his brother home that night. Thus, Brett has been haunted by his own guilt and self-doubt whether he had made the right choices. Being party to the new pledge activities further opened his eyes to the monsters that lurked inside him and his frat brothers. While they all considered it ritual, and right- of-passage, it was in fact inherently evil. This film was not about good and bad though, it was about good people doing bad things while striving to meet the standards of a social norm. Chance, Dixon, and the rest of the fraternity are stripped of their power and reveal what true damaged and misguided individuals they are once they have nothing.  

In the closing moments, Brad and Brett return home and Brad is given the opportunity by local authorities to see a line-up of potential suspects that may have assaulted him.  Brad is unable to identify the individual and even Brett wonders if Brad had intentionally let the guy off the hook.  Brad simply replies “They all looked the same.” Despite escaping and overcoming the ordeals of pledging a fraternity, Brad sees nothing more than one unit. Dixon had said he wanted to see the goats as not individuals but as one unit, and the establishing shot of the film now reveals itself as we are the receiving end of the bullying and how it is all perceived as one, one unit, one group, one traumatic memory.  Gone is the distinction of an individual’s humanity and they are simply a lost soul forever scarred.

The film works as an independent feature because it immediately sets the tone and through the editing, be it close ups and expressions on faces, to the masterful dialogue, it contains more insight than the viewer may get upon first viewing.  It is almost too dark to be mainstream but too intricate and ingenious to be in the direct-to-video bargain bin. Ben Schnetzer’s portrayal of Brad is exceptional because he opens up to showing that he is in constant struggle of his role in the world, this character’s fighting to find himself and not just be a victim of an assault or a shadow in his brother’s light.  There is not a moment where you feel disconnected with his character.  Films are not shot in sequence most of the time, and yet Ben played the various degrees of intensity to create a cohesive flow over the course of 96 minutes.  Nick Jonas tops himself, above and beyond his character Nate in the television series ‘Kingdom’, because he starts out appearing one-dimensional but soon we see the same duality that plays through the rest of the film.  The emotional strife he allows to show in Brett’s face, eyes, and actions, are resonant of our own cores; triggering feelings inside ourselves of doubt and how we choose to deal with situations.  The love, doubt, fear and strength for his brother propels itself off the screen and into our hearts with every scene thus asking us what truly constitutes if a person is doing right or wrong? Danny Flaherty’s Will, as discussed earlier, is the opposite end to that particular spectrum. Will’s journey is pathetic; does the audience really want to see this kid endure or is his ignorance of the brutality happening to him make us want to see him take more just to see if he can.  That barbaric sickness that lays dormant in our genes from the beginning of time is toyed with, deliberately, by the filmmakers all the while showing us the disgusting and post-traumatic stress inducing results.  

Goat was nominated for the Grand Special Prize at the Deauville Film Festival and also the Grand Jury Prize at the 2016 Sundance Film Festival. While it is a clearly a genre outing in the drama category, the film reminds us that you don’t need a mask-wearing, machete-slaying, killer stalking the streets in order to see the reality of horror in our own humanity; a horror that secretly exists inside all of us and God help us if ever truly released.   

Goat is a production from Killer Films, Fresh Jade, and RabbitBandini Productions.

You can check out what’s happening with the Film on Twitter: @GoatMovie, don’t forget to #GOATMovie with your thoughts. You can also check out their official Facebook page: https://www.facebook.com/goatmovie/

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TV Shows

RECAP: Season 1 Episode 1 of ‘THE EXORCIST’ Television Series

September 24, 2016 by Jeff T. Smith 1 Comment
The Exorcist Television Series Recap

TWIST MY HEAD AND MAKE ME FEEL NO PAIN

At 8:55 p.m. on the evening of Friday, September 23rd, 2016, there was one thing I wondered… would I be rushing eagerly to my keyboard to write about this new television series or would I simply have a drink and turn on Netflix. Here I am typing so maybe that is enough of a review but just like the show itself, there is a whole lot more happening here than the obvious.

The clock struck 9 p.m. and now it was time to check out FOX’s new incarnation of William Peter Blatty’s classic The Exorcist. The months leading up to this premiere, I deliberately kept from reading any updates including spoilers, casting, a sneak preview at Horrorhound Weekend, anything, as I wanted to go into this completely fresh. Would FOX, the producers, the writers, the ensemble, actually tread on the holy sacred ground of the 1973 horror standard-bearer? The opening title dropped right into your face following a quick tease of a man looking up into a shantytown-style apartment window with a child screaming. Whenever a show presents itself, be it film or television, that deals with religion and spirituality then I personally feel it is always a gamble. There is no easy-going fun to be had like when you watch Scream Queens, there is no in-your-face mayhem and deeply-knit character drama like The Walking Dead, no it is always an appeal to the viewer to reflect on their own values and the power of faith. Is it our own inner demons that our souls battle or is there truly an evil presence cycling itself in our universe, tempting us to succumb to its strength so it can feed on our weaknesses?

Is it our own inner demons that our souls battle or is there truly an evil presence cycling itself in our universe, tempting us to succumb to its strength so it can feed on our weaknesses?

Let’s begin. This new series quickly establishes the lead character in Father Tomas Ortega (Alfonso Herrera, Sense8); local Chicago suburb Priest who immediately appeals because instead of being the archetype of righteousness, he is revealed to be very relaxed in his methods and one of the people – and most of all a regular man who has his own life and struggles. During his sermon, the Rance Family – Mom: Angela, Dad: Henry and Daughter: Casey (Hannah Kasulka, The Fosters and Filthy Preppy Teen$) – listen in. Each glimpse revealing tiny nuances into their characters. Father Tomas has a unique ability to perceive visions, and in this case, he is brought into the world of Father Marcus Keane (Ben Daniels, Flesh and Bone and House of Cards). Father Marcus is involved in his own battle against a demon that has possessed a young boy, Gabriel, down in Mexico City. Whether it is the past, or present, we do not yet know. As I describe these characters, have you noticed yet that I have not mentioned the names Merrin, Karras, or MacNeil? I was wondering too because I didn’t know where this series was fitting – was it entirely new, was it in the same movie universe as the original series, or was it a remake?

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Through Father Marcus and his case with Gabriel, we are treated to a first glance at what 2016 exorcisms look like and it was definitely up there on the creepy scale. Back in Chicago, Angela (played by the lovely Geena Davis, Beetlejuice and The Fly [1986]) is beginning to suspect that something is terribly wrong in her house as she hears noises, voices, and her other daughter Kat (Brianne Howey) is a recluse inside her bedroom. The most humane part of the family that brought me in was the story of the Father, Henry (Alan Ruck, Spin City and Ferris Bueller’s Day Off), a man that was successful but has gone through some sort of accident that has now damaged his memory leaving him with a permanent handicap that has shaken the foundation of the Family. Now we begin to see how the Daughters are affected and Angela herself; the stability of the successful and prosperous life she lived suddenly struck down and taken away. It’s enough for one to lose faith wouldn’t you say? Those familiar with the themes of the original would instantly begin to suspect that this Family will be a target for that very reason.

The pace was gradual but aside from playing the horror field smoothly, the show had not yet reeled me into its world by the half hour. Now here’s where it gets interesting and I am going to give show creator Jeremy Slater full credit as Father Tomas looks up previous exorcisms…and….wait for it….a news article acknowledging an exorcism in Georgetown, Washington with the name Chris MacNeil hidden in there. I might have missed the name Regan because I suddenly got so enthralled that this was indeed a sequel spin-off series! As much as I would love Ellen Burstyn or Linda Blair to reprise their roles down the road, I won’t get ahead of myself but rather just enjoy the fact that this was not a remake attempt.

From the Forces of Evil

Father Tomas visits Father Marcus in a retreat institute after seeing a vision of the resolve with Gabriel that saw the possessing demon twist the boy’s head around snapping his neck (a nice realistic “spin” on the famous scene from the original). Turns out that his visions are not a special ability but all a plan from the forces of evil that are preying on Father Tomas. The climactic moment saw Tomas telling Angela he believes her in that there is a demon present and it is his calling from God to help her family. Rumbles come from above and so he and Angela make their way upstairs when the attic ladder drops. Within that instant, with less than ten minutes to go, the tone took a turn and we were now submersed in an atmospherically intense situation. The intensity fueled by Tomas climbing into the attic where you know something evil awaits and the anticipatory reveal that Kat is possessed no doubt kept many viewers in an upright position.

I absolutely love when a show dealing with a controversial subject matter while playing for straight horror not only takes it time building the atmosphere and the plotlines, but then smacks you straight in the face with a swerve that I did not see coming.

*SPOILER ALERT*

It was not Kat at all but the seemingly free and clear Casey that is possessed! WHOA! What!? I am sorry for the spoiler but it is absolutely necessary to convey to you just how epic this was. The evil Casey/demon also plays tricks because she reverts back to normal form just as Angela enters the attic thus making it seem to her Mother that there is no danger but Father Tomas knows otherwise. The show ends with Father Tomas leaving and looking up at the house window where Casey watches from the window. Then it happened….the undeniable, distinct theme that first haunted theatres across North America in 1973. Chills struck me and with Father Tomas walking away knowing of the danger that awaits him, and Father Marcus suiting up and leaving the retreat to seemingly come and help Tomas, this show left such resonance with me (and tons of other viewers from all the tweets I read) that I will be tuning in next week and 100% sold on the potential.

In summation, in a day where television is all about hit-and-miss, and we see shows that are written well like “Bates Motel” and compare to potential horror hitters like last year’s “Damien” (which I personally didn’t get hooked on despite tremendous performances by Barbara Hershey and Scott Wilson), then it could not please me more that I was on the fence for 35 minutes, then drawn in with a classy and respectful nod to the original, and by the end of 60 minutes, sitting on the edge of my seat. That is television folks…and that is true horror.

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Twitter: @TheExorcistFOX

What did you think of The Exorcist?

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Reading time: 6 min
TV Shows

HOLY HAIRY MARY! – Jamie Lee Curtis, Emma Roberts and crew are back by hook, crook and KILLER for SCREAM QUEENS Season 2!

September 22, 2016 by Jeff T. Smith 2 Comments
Scream Queens Season 2 Recap

Tuesday, September 20th, 2016 was the second season premiere of Scream Queens. I was such a fan of the first season and could not have been anticipating this show more. Have you seen the first season? Unfortunately it’s not available yet on Blu-Ray (WHY!?) so a quick recap was that the Red Devil Killers were stalking a sorority headed by “The Channels” with the campus ruled by Dean Cathy Munsch. A red herring within almost every episode saw more and more victims fall including Nick Jonas’s Boone character; Jonas was absolutely fantastic and made me appreciate his work as a performing artist all the more. Lea Michele (Glee), Emma Roberts (American Horror Story and Scream 4) and the all-time great Jamie Lee Curtis (no movie references needed YOU should know!) make up the show leads and with incredible writing, made this show something unlike any horror and/or comedy series in history. The direction was sharp, the story moved like a rollercoaster, and it became a guilty pleasure. The killers were apprehended and that was the end…or was it?

Scream Queens Season 2 RecapWe join the second season at an incredibly creepy hospital

Flash forward or flash backward rather to 1985 and that’s where we join the second season at an incredibly creepy hospital setting during a Halloween party. The Doctor (Jerry O’Connell Scream 2 and Piranha 3D) is more concerned about the party than his male patient so he, along with his cohort, subdue the patient and they throw him in the swamp. Patient turns out was a Father-to-be with his wife waiting patiently for husband to make it through whatever treatment was necessary. Seeds firmly planted but granted, much the same mirroring premise of the first season.

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Now it is two years after the campus murders and Curtis’s Munsch character got rich quick off of her near-death/ survival experience and has used the money to buy the now defunct hospital. Her goal: Cure the Un-curable. Here is where we are introduced to the female fan base’s eye-candy (and this season’s Jonas replacements) in John Stamos (Full House) as Dr. Brock Holt and the Twilight Saga’s Taylor Lautner as Dr. Cassidy Cascade. The chemistry actually plays perfectly and I felt that both actors really sunk into their roles; playing the moments with a secret wink the whole time. First season survivor ZayDay Williams (Keke Palmer) is hired on as an M.D. as well. But where are the Chanel’s? It took that first 20 minutes of the show to really feel out where they were going with this and how the fan favorites were going to be incorporated.

Here they are! Chanel No. 1, 3, and 5 (Roberts, Billie Lourd and Abigail Breslin) are all brought in by Munsch as Doctors-in-Training and immediately start with their in-your-face snappy dialogue and out-of-this-world mannerisms. Robert’s Chanel is the young star of this show and there is no denying that without her, it would suffer. I think that is general consensus but the same with Curtis, who has absolutely given herself over to this character and in turn, us horror fans. She is the Scream Queen through and through. PROPS to newcomer Kirstie Alley (Cheers and Look Who’s Talking) because her delightfully devilish, hard-edged and seriously bitchy Nurse Ingrid Hoffel is the perfect role and her opposition to the Chanels is what I feel will be driving this season out of the swamp. Legends like Alley and Curtis on screen together is viewership gold and for horror fans, this is her first genre work since “Village of the Damned” so I am satisfied 110% to see her back in the fold.

This show is all about keeping things on the beat

Creators Brad Falchuk, Ryan Murphy and Ian Brennan have not slowed down at all with this show and the quality and effort of keeping in the front seat rather than the back pays off. No other show provides this kind of blink-and-you-miss pace both in dialogue, character and storytelling. Reading some other online reviews, I also noticed this became not just something to praise but something to criticize. Some viewers saying it is not giving them the chance to let information settle in and become invested. People – this show is all about keeping things on the beat, the current trends, what’s hot, what’s not – and how many people have attention spans nowadays? The creators know it too and that’s why I feel Scream Queens blasts through other programs on television because it’s a deliberate wild ride that is laughing in your face the whole time. Don’t worry horror fans – if you don’t want to watch because there is just too much comedy, well look again, because this isn’t “Scream If You Know What I Did Last Friday The 13th” spoofing, and with the climactic final moments going down with the creepy “Green Meanie” killer monster and a machete-style weapon that caused some serious bloodshed and body part dismemberment, then that should be enough to tune in next week and the week after. This review could go on and on because there was so much to pack into this one hour. Serious horror like American Horror Story and Scream is great, and the light-hearted sitcoms of Big Bang Theory unload the stress levels of the day, but Scream Queens provides that witch’s brew combination that can make you feel gross but still a little yummy inside all at once and I recommend you all check into that hospital and see what happens next.

What did you think of the season premiere of Scream Queens?

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Reading time: 4 min

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